Past Events

Master Class on Jia Zhangke’s <em>Still Life</em>

With Avenali Resident Fellow Dai Jinhua
| IEAS Conference Room, 2223 Fulton Street, 6th Floor

This lecture examines the text of Still Life in order to discuss the realist paradoxes of China’s destruction and construction, submersion and emergence, in the midst of rapid economic development.

Raymond Yee, School of Information, UC Berkeley

“The Pedagogy of Remixing Open Government with the Web”
| Geballe Room, 220 Stephens Hall

Picking up where the series left off in the fall, the Forum on Digital Technology in Humanities Scholarship considers how web technologies are changing humanities research, teaching, and collaboration. Each one-hour, brown-bag lunch forum focuses on an aspect of the "digital humanities" by featuring a short talk by a specialist, followed by a round-table discussion of issues with the audience.

Terry Eagleton, Literary Critic & Theorist

"The Death of Criticism?"
Forum on the Humanities & the Public World
| Maude Fife Room, 315 Wheeler Hall

One of Britain’s most influential literary theorists and critics, Terry Eagleton is Distinguished Professor of English Literature at the University of Lancaster, and a Visiting Professor at the National University of Ireland, Galway.

<em>Flow: For Love of Water</em> (2008)

Directed Irena Selina
Depth of Field Film + Video
| Geballe Room, 220 Stephens Hall

Although it covers most of the globe and makes up the majority of our bodies, we take few things for granted like the water that flows from the tap. Combining expert interviews with firsthand footage from regions as diverse as the deserts of South Africa and the suburbs of Minnesota, Director Irena Selina aims to change this lack of appreciation with her engaging exploration of our most vital resource. From global battles against the privatization of drinking water to local skirmishes over access to water rights, Flow outlines a developing problem we can scarcely afford to ignore.

Catherine Mitchell, California Digital Library

“Open Access Academic Publishing in the Humanities”
| Geballe Room, 220 Stephens Hall

Picking up where the series left off in the fall, the Forum on Digital Technology in Humanities Scholarship considers how web technologies are changing humanities research, teaching, and collaboration. Each one-hour, brown-bag lunch forum focuses on an aspect of the "digital humanities" by featuring a short talk by a specialist, followed by a round-table discussion of issues with the audience.

Phillip Lopate, Essayist

"Notes on Sontag"
Forum on the Humanities & the Public World
| Geballe Room, 220 Stephens Hall

Considered one of the foremost American essayists and a central figure in the recent revival of interest in memoir writing, Phillip Lopate is known for his subtle and surprising essays. As both a writer and editor, Lopate has contributed significantly to discourse on creative nonfiction.

| Hertz Hall

Malcolm Bilson, Emeritus Professor of Music at Cornell University, is a renowned American pianist and scholar specializing fortepiano, the 18th century version of the piano. He will be performing on the Music Department's Regier fortepiano.

Eric Karpeles, Author

“Paintings and the Making of À la Recherche du Temps Perdu”
| Geballe Room, 220 Stephens Hall

Eric Karpeles is a painter and the author of Paintings in Proust, an illustrated guide to Marcel Proust's À la recherche du temps perdu. In his lecture, Karpeles will discuss a number of the paintings mentioned in Proust's masterpiece.

<em>Food, Inc.</em> (2009)

Directed by Robert Kenner
Depth of Field Film + Video
| Geballe Room, 220 Stephens Hall

Continuing the investigative reporting of Eric Schlosser’s Fast Food Nation and Michael Pollan’s The Omnivore’s Dilemma, director Robert Kenner’s Food, Inc. takes us on a journey from field to factory to plate, exhaustively exploring the complexity behind the everyday items we select in the supermarket. Building the film from individual portraits of the people involved, Kenner personalizes an issue that has seemingly become synonymous with names like Monsanto, Tyson and Perdue.

Robert Storr, Curator

“James Castle: A Retrospective”
| Berkeley Art Museum Theater, 2621 Durant Ave.

James Castle (1899–1977) created, without formal training, a remarkable and vast body of work over the course of his life in rural Idaho. Born profoundly deaf, Castle never learned to read, write, speak, sign, or lip-read, perhaps by choice. He lived within the circle of his immediate family, making artworks based on the scenes, surroundings, and imaginings of his daily life. In this major illustrated lecture, Robert Storr will consider multiple dimensions of Castle’s artistic production.