In this collection of essays spanning her career, Shannon Jackson explores a range of disciplinary, institutional, and political puzzles that engage the social and aesthetic practice of performance.
Ursonate
South African artist William Kentridge, the 2022-23 UC Berkeley artist-in-residence, performs a multimedia piece that reveals his talents as an actor as well as a director.
Sianne Ngai in Conversation
Sianne Ngai, the 2022-23 Avenali Chair in the Humanities, talks with UC Berkeley faculty members Colleen Lye (English) and Damon Young (Film & Media and French).
Cultural theorist and literary critic Sianne Ngai is the Andrew W. Mellon Professor of English at the University of Chicago.
In his study of the ordinary — and oftentimes unseen — lives of memorials, Andrew Shanken explores the relationship of commemorative monuments to the pulses of daily life.
The Haydn Economy: Music, Aesthetics, and Commerce in the Late Eighteenth Century
Analyzing the final three decades of Haydn’s career, Nicholas Mathew uses the composer as a prism through which to examine urgent questions across the humanities.
Dylan Riley
Dylan Riley responded to Covid lockdown with the tools of his trade, producing an extraordinary volume of over a hundred short essays inviting us to think about how critical sociology can speak to this troubled decade.
In his innovative study of Goya's body of work, Anthony Cascardi argues that the artist is engaged in a thoroughgoing critique of the modern social and historical worlds.
South African artist William Kentridge is the 2022-23 UC Berkeley artist-in-residence. In this visually illustrated lecture, he reflects on the creation of his chamber opera Waiting for the Sibyl, and on his multifaceted artistic practice.
Palimpsests of Themselves: Logic and Commentary in Postclassical Muslim South Asia
Asad Ahmed offers an intervention in current discussions about the fate of philosophy in postclassical Islamic intellectual history.