Avenali Lectures

Peter Greenaway, Avenali Chair in the Humanities 2010-2011

"New Possibilities: Cinema is Dead, Long Live Cinema" | September 13, 2010
"Nine Classic Paintings Revisited" | September 14, 2010
Follow-up Panel Discussion | September 15, 2010

Peter Greenaway, who trained as a painter for four years, started making films in 1966. His first narrative feature film, The Draughtsman’s Contract (1982), earned him international acclaim as an original filmmaker, a reputation consolidated by The Cook, the Thief, his Wife & her Lover (1989), Prospero’s Books (1991), The Pillow Book (1996), The Tulse Luper Suitcases (2003-2004), and more recently, Nightwatching (2007). His work in cinema has also informed numerous exhibitions and installations in Europe, from Venice's Palazzo Fortuny and Barcelona's Joan Miró Gallery to Rotterdam's Boymans van Beuningen Gallery and Paris's Louvre. Regularly nominated for the film festival competitions of Cannes, Venice, and Berlin, Greenaway has published books, written opera librettos, and collaborated with composers Michael Nyman, Philip Glass, Louis Andriessen, Borut Krzisnik, and David Lang, among others. Greenaway has also recently begun a series of digital video installations, titled Nine Classical Paintings Revisited, in which he uses a contemporary sensibility and employs cutting-edge image technology to “revisit” some of the most renowned paintings in Western art history, from the Renaissance up to Picasso and Pollock.

Panel Discussants: Peter Greenaway, Darcy Grigsby (History of Art), Abigail de Kosnik (Theater, Dance & Performance Studies). Moderated by Anthony J. Cascardi (Townsend
Center Director).

Webcast | Resources on Peter Greenaway

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These presentations took place in Zellerbach Playhouse thanks to a collaboration with Cal Performances. Biographical information adapted from www.petergreenaway.info