Past Events

Why War?: "Non-Violent Violence"

Simon Critchley, Philosophy, The New School
| Geballe Room, 220 Stephens Hall

In this talk, Critchley reflects on the hugely difficult question of the nature and plausibility of a politics of nonviolence. In particular, he focuses on how such a politics has to negotiate the limits of nonviolence and in what circumstances it might become necessary to transgress those limits.

Why War?: "Violence as Dignity"

J.M. Bernstein, Philosophy, The New School
| Geballe Room, 220 Stephens Hall

In an incident in Auschwitz, Jean Amery describes how, at a particular moment, he was forced to give "concrete form to my dignity by punching a human face." Bernstein's paper will interrogate the thesis, common to Amery and Frantz Fanon, that, as a consequence of the particular character of human embodiment, violent reprisal belongs to the grammar of human dignity.

| Geballe Room, 220 Stephens Hall

Townsend Resident Fellow Michel Pascal is a composer and a professor of electroacoustic composition at the Conservatoire de Nice, France. Pascal was hosted by CNM AT while at Berkeley.

"A Moving Image: Media and Metaphor in Stage"

With Avenali Resident Fellow Ellen Bromberg
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An informal talk and screening looking at the role of metaphor through Ellen Bromberg’s work as a choreographer and subsequently as a media designer for stage and installation performances. Ideas of space, immersion and interactivity are addressed in the lecture, as Bromberg discusses the Center for Interdisciplinary Arts and Technology and the Multi-Media performance Lab at the University of Utah.

<em>Moving Midway</em> (2008)

Directed by Godfrey Cheshire
Depth of Field Film + Video
| Geballe Room, 220 Stephens Hall

When first-time filmmaker Godfrey Cheshire’s family decided to uproot their pre-civil war plantation home from its original location, more than just the old foundation was dug up. The mansion’s relocation is an opportunity to document a feat of technical ingenuity, to explore the legacy of the South as portrayed by Hollywood, and to revisit a troubled period in our nation’s history.

Janis Tomlinson, Art Historian

“From Capricho to Fatal Consequences: Goya's Imagery of War 1809-1814”
Forum on the Humanities & the Public World
| Geballe Room, 220 Stephens Hall

Best known for her work on eighteenth- and nineteenth-century painting in Spain, Janis Tomlinson is Director of University Museums at the University of Delaware.

| Geballe Room, 220 Stephens Hall

Join the Townsend Humanities Lab for a live celebration as its burgeoning digital community passes the 1,000-member mark. Champagne and music for all; demonstrations for the uninitiated. Catch one of the roving disposable cameras and help us commemorate the event.

| Maude Fife Room, 315 Wheeler Hall

Panel Discussants: Joyce Carol Oates, Dori Hale (English), Vikram Chandra (English), and Wendy Lesser (Editor, The Threepenny Review). Moderated by Anthony J. Cascardi (Townsend Center Director)

Joyce Carol Oates, Author

“The Writer’s (Secret) Life: Rejection, Woundedness, and Inspiration”
Avenali Lecture
| Sibley Auditorium, Bechtel Engineering Center

Author Joyce Carol Oates is a recipient of the National Book Award and the PEN/Malamud Award for Excellence in Short Fiction. She has written some of the most enduring fiction of our time, including the national bestsellers We Were the Mulvaneys and Blonde (a finalist for the National Book Award and the Pulitzer Prize), and the New York Times bestsellers The Falls and The Gravedigger's Daughter. Oates is the Roger S. Berlind Distinguished Professor of the Humanities at Princeton University and has been a member of the American Academy of Arts and Letters since 1978.