Through the lens of Aleksandr Rodchenko’s photography, Aglaya Glebova (History of Art) charts a new and provocative understanding of the troubled relationship between technology, modernism, and state power in Stalin’s Soviet Union. Aleksandr Rodchenko: Photography in the Time of Stalin (Yale, 2023) traces the shifting meanings of photography in the early Soviet Union, as it reconsiders the relationship between art and politics during what is usually considered the end of the critical avant-garde.

Aleksandr Rodchenko (1891–1956), a versatile Russian artist and one of Constructivism’s founders, embraced photography as a medium of revolutionary modernity. Yet his photographic work between the late 1920s and the end of the 1930s exhibits an expansive search for a different pictorial language.

She is joined by Harsha Ram (Slavic Languages & Literatures and Comparative Literature).