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The Townsend Center supports faculty and student research and scholarship through a variety of outlets.

Newsletters

Our print newsletter, published each semester, covers Townsend Center programming.

In this issue:

  • Director's Letter
  • Avenali Lecturer Jill Lepore
  • Artist Ken Light
  • Spring Berkeley Book Chats
  • Joyce Carol Oates, Art of Writing

In this issue:

  • Director's Letter
  • Una's Lecturer Paul Chan
  • Photographer Ken Light
  • Fall Book Chats
  • Thinking about Composition

In this issue:

  • Director's Letter
  • Una's Lecturer Maggie Nelson
  • Artist Livia Stein
  • Spring Berkeley Book Chats
  • PhD Professional Development

In this issue:

  • Director's Letter
  • Avenali Chair Todd Gitlin
  • Artist Kara Maria
  • Fall Berkeley Book Chats
  • Art of Writing

In this issue:

  • Director's Letter
  • Avenali Chair Joseph Leo Koerner
  • Artist Michael Hall
  • Spring Berkeley Book Chats
  • A Book is Born

In this issue:

  • Music & Virtuosity
  • Una's Lecturer Ben Ratliff
  • Artist Jennie Smith
  • Fall Berkeley Book Chats
  • 2017-18 Fellows

Bear's-Eye View

Bear's-Eye View is a chronicle of students' engagement with the vibrant humanities culture at the Townsend Center and across the Berkeley campus. Each semester our undergraduate humanities writers soak up the wealth of humanities programs and events, and write about what they've learned.

Berkeley Forum in the Humanities

The Berkeley Forum in the Humanities, published by Fordham University Press, features topics of broad interest in the humanities and interpretive social sciences, with a focus on the work cultivated at the Townsend Center. The series presents work that is richly contextual along historical and social lines, while critical and challenging in its views.

Marianne Constable, Let Volpp, Bryan Wagner

For many inside and outside the legal academy, the right place to look for law is in constitutions, statutes, and judicial opinions. This book looks for law in the “wrong places” — sites and spaces in which no formal law appears. These may be geographic regions beyond the reach of law, everyday practices ungoverned or ungovernable by law, or works of art that have escaped law’s constraints.

Freud and Monotheism: Moses and the Violent Origins of Religion critically examines a range of discourses surrounding Freud’s Moses and Monotheism, taking as its entry point Freud’s relations to Judaism, his conception of tradition and history, his theory of the mind, and his model of transgenerational inheritance.

Plasticity and Pathology: On the Formation of the Neural Subject brings together diverse scholars interested in the historical and conceptual problems of life and particularly the life of human beings in the neural age. 

Kwame Anthony Appiah, J. M. Coetzee, Arthur Danto, Mike Davis, Anthony Grafton, Seamus Heaney, Michael Ignatieff, Ivan Klíma, Maya Lin, Kenzaburō Ōe, Michael Pollan, Sebastião Salgado, Peter Sellars, Maurice Sendak

This volume commemorates the twenty-fifth year of the Doreen B. Townsend Center for the Humanities and captures the breadth and depth of lectures and events presented by the center. Many are revised versions of lectures and presentations organized in connection with the annual appointment of the Avenali Professor in the Humanities or the Una’s Lecturer; several are based on other events presented by the center over the years, such as the “Humanities Perspectives on Aging” program or the “Futures” lecture series organized to commemorate the center’s tenth anniversary.

Jay M. Bernstein, Claudia Brodsky, Anthony J. Cascardi, Thierry de Duve, Ales Erjavec, Robert Kaufman and Fred Rush

Theodor Adorno’s Aesthetic Theory (1970) offers one of the most powerful and comprehensive critiques of art and of the discipline of aesthetics ever written. The work offers a deeply critical engagement with the history and philosophy of aesthetics and with the traditions of European art through the middle of the 20th century. It is coupled with ambitious claims about what aesthetic theory ought to be. But the cultural horizon of Adorno’s Aesthetic Theory was the world of high modernism, and much has happened since then both in theory and in practice.

Talal Asad, Wendy Brown, Judith Butler, and Saba Mahmood

In this volume, four leading thinkers of our times confront the paradoxes and dilemmas attending the supposed stand-off between Islam and liberal democratic values. Taking the controversial Danish cartoons of Mohammad as a point of departure, Talal Asad, Wendy Brown, Judith Butler, and Saba Mahmood inquire into the evaluative frameworks at stake in understanding the conflicts between blasphemy and free speech, between religious taboos and freedoms of thought and expression, and between secular and religious world views.

Occasional Papers

The Occasional Papers series makes available some of the many lectures and conversations of eminent scholars, writers, and artists who participated in Townsend Center programs 1994-2003.

In March 2004, in collaboration with the Center for Medicine, Humanities, and Law, the Townsend Center sponsored a week-long residency with Dutch physician and writer Bert Keizer. Dr. Keizer is particularly known for his book, Dancing with Mr. D., a personal account of his work with the terminally ill in an Amsterdam critical care facility.

Cannabis, Forgetting, and the Botany of Desire includes the proceedings of several events scheduled by the Townsend Center in celebration of Michael Pollan's residency as Avenali Lecturer for the 2002 Fall Semester. This Occasional Paper includes transcripts of the public lecture Pollan gave as well as the comments of a panel organized to explore the environmental impact of food production in general.

Migrations: The Work of Sebastião Salgado was one of several events scheduled by the Townsend Center in celebration of Sebastião Salgado's residency as Avenali Lecturer for academic year 2001–2002. Planned to complement the Berkeley Art Museum exhibit, Salgado’s lecture—reproduced here in a slightly edited form—was followed the next day by a panel of commentators whose remarks are also included in this Occasional Paper.

Eva Hoffman considers the current preoccupation with memory—as opposed to its referents (history, experience)—and particularly with memory of the Holocaust. She proposes that the intense absorption with memory has largely emerged from the “second generation,” i.e., from those for whom the Holocaust (or other disturbing pasts) has been a crucially formative event, yet one that they themselves did not experience.

Seeing the Difference brings together the texts of a two-day institute on death and dying, aimed at facilitating an interdisciplinary conversation between artists, humanists, and medical practitioners. The project proceeds from a doubled sense of “difference”: a view of death as separation or “difference,” and an acknowledgement that the various disciplines also view death “differently,” developing languages that are too often particular to their own fields.

Traditions of Conversion historicizes and texturizes Descartes’ conversion with a vibrant inquiry into early modern European conversion narratives. In the end, Grafton effectively troubles Descartes’ self-portrait as the embodiment of disembodied reason with an examination of Descartes’ autobiographical notes, which record that the foundations of his new philosophy lay not in reason but in a dream.

Representations


Respresentations Journal Cover

Representations is an interdisciplinary journal in the humanities and interpretive social sciences published quarterly by the University of California Press.

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