Jill Lepore is the David Woods Kemper '41 Professor of American History at Harvard University and a staff writer at the New Yorker.
In his exploration of a watershed political year, Todd Gitlin unearths a "thrust toward retrogression" that stands in stark contrast to the popular image of 1968 as a politically progressive moment.
Joseph Koerner examines Hieronymus Bosch’s Garden of Delights — approaching the painting as a representation of a world without history and without law.
Christopher Bollas is the most influential psychoanalyst writing in English today. In his Avenali Lecture, he argues that mental pain should not be ignored, minimized, or suppressed through medication, but understood and embraced as a constitutive element of human psychic development.
David Shulman, one of the world’s foremost Indologists, is this year’s Avenali lecturer-in-residence. Shulman has written capaciously on Indian thought and religion, language, poetics, theater, and aesthetics.
Avenali Chair in the Humanities Eelco H. Runia is a historian, theorist, psychologist, and novelist. He is the author of the 2014 book Moved by the Past: Discontinuity and Historical Mutation. Runia is currently in the Department of History at the University of Groningen and chair of the Centre for Metahistory.
Author Marilynne Robinson is joined in discussion by UC Berkeley faculty panelists Dorothy Hale (English), Jonathan Sheehan (History), and Robert Hass (English) on the topic of Religion and the Art of the Novel.
Pulitzer Prize-winning author Marilynne Robinson is a professor of English and Creative Writing at the University of Iowa Writers’ Workshop. Her Avenali lecture considers the question of audience in the work of Shakespeare.
Avenali Chair in the Humanities Eelco Runia in discussion with Hayden White (UC Santa Cruz, emeritus), Martin Jay (UC Berkeley), Carol Gluck (Columbia), Harry Harootunian (Columbia), and Ethan Kleinberg (Wesleyan).
In his second Avenali lecture, Lawrence Weschler will consider a spectrum of convergent effects, including apophenia (the tendency of humans to see patterns where none exist), homage, quotation, cryptomnesia (verbatim appropriation without realizing you’re doing so), and even outright plagiarism.