The Townsend Center presents a lunchtime series celebrating the intellectual and artistic endeavors of the UC Berkeley faculty. Each Berkeley Book Chat features a faculty member engaged in conversation about a recently completed publication, performance, or recording. The series highlights the extraordinary breadth and depth of Berkeley’s academic community.
The Week: A History of the Unnatural Rhythms That Made Us Who We Are
Approaching the seven-day week as an artificial construction of modern society, David Henkin explores its role as a dominant organizational principle that shapes our understanding and experience of time.
Edward Tyerman explores the role of China in the 1920s as the key site for Soviet debates over how the political project of socialist internationalism should be expressed through literature, film, and theater.
SanSan Kwan explores how dance — based in body-to-body interaction on the stage — serves as a revelatory site, and ultimately carries the potential to model everyday encounters across difference in the world.
The identity of Homer is shrouded in mystery, including doubts that he was an actual person. James Porter explores Homer’s mystique, approaching the poet not as a man, but as a cultural invention.
What might behaviorism, that debunked school of psychology, tell us about literature? Joshua Gang argues for its enormous critical value for thinking about why language is so good at creating illusions of mental life.
Exploring cheerfulness as a theme and structuring element in the work of major artists, Timothy Hampton (Comparative Literature and French) casts new light on literary history, the intersections of culture and psychology, and the history of emotions.
Past Events
An Empire of Touch: Women's Political Labor and the Fabrication of East Bengal
Poulomi Saha offers an innovative account of women’s political labor in East Bengal over more than a century, one that suggests new ways of thinking about textiles and the gendered labors of their making.
Jacob Gaboury argues for the fundamental role of computer graphics as the force that transformed the computer from a calculating machine into an interactive medium.
Working at the intersection of literary theory, philosophy of history, and phenomenology, Karen Feldman explores the representation of connections between events in literary, historical, and philosophical narratives.
La Presse française historique: histoire d’un genre et histoire de la langue
In the first major study of the language of historical French newspapers and periodicals, Mairi McLaughlin sheds light on our understanding both of the history of French and of language variation and change. The conversation will be conducted in English.
Critics have largely neglected description as a feature of novelistic innovation during the 20th century. Dora Zhang argues that descriptive practices were in fact a crucial site of attention and experimentation for a number of modernist writers.
Exploring the literary, cultural, and political value of poetry in the twenty-first century, Eric Falci shows how poems matter, and what they offer to readers in the contemporary world.
Allan deSouza’s rewriting of Joseph Conrad’s Heart of Darkness substitutes Conrad’s words with ones that loosely rhyme, creating a linguistically and psychologically complex portrait of dystopian contemporary life.
Technologies of the Novel: Quantitative Data and the Evolution of Literary Systems
In a study based on the systematic sampling of nearly 2,000 French and English novels written between 1601 and 1830, Nicholas Paige offers a new conception of the novel as a technology of patterned systems in constant flux.
Anneka Lenssen explores how artists developed new kinds of painting as a means to agitate against the imposed identities and intersubjective relations that accompanied the making of modern Syria.
Placing Remembrance of Things Past within a complex philosophical and aesthetic context, Suzanne Guerlac approaches Proust’s novel as a text whose true subject is the adventure of living in time.