The Townsend Center presents a lunchtime series celebrating the intellectual and artistic endeavors of the UC Berkeley faculty. Each Berkeley Book Chat features a faculty member engaged in conversation about a recently completed publication, performance, or recording. The series highlights the extraordinary breadth and depth of Berkeley’s academic community.
Drawing upon recent narratives and media representations of the refugee “crisis” at Europe’s edges, Debarati Sanyal tells a new story about those on the move, the technologies unleashed on them, and the artistry with which migrants and allies bear witness to displacement.
Reckoning with aging and mortality, democracy in crisis, the role of the writer, and the fate of books, Thomas Farber presents the latest in his series of creative memoirs that grapple with life and its limits.
The Atlantic Republic of Letters: Knowledge and Colonialism in the Age of Franklin
Offering an alternative intellectual history of early America through the lens of Benjamin Franklin's Philadelphia, Diego Pirillo explores the entanglement among books, knowledge, and colonialism.
Concrete Colonialism: Architecture, Urbanism, and the US Imperial Project in the Philippines
During US colonial rule in the Philippines, reinforced concrete was used to the near exclusion of all other building materials. Diana Martinez shows how the material's stability, plasticity, and strength served the shifting imperatives of colonialism.
The Profligate Colonial: How the US Exported Austerity to the Philippines
Lisandro Claudio explores how the ideology of austerity served as a tool of US empire in the Philippines, casting Filipinos as reckless spenders and presenting monetary discipline as a civilizing force.
David Henkin shows how baseball offers a capacious space for thinking about such things as spectatorship, success, community, order, and contingency in the modern world.
Non-Aligned: Art, Decolonization, and the Third World Project in India
Atreyee Gupta takes a revelatory look at modernism in India, exploring art’s role in decolonization and aesthetic discourse across the Global South.
Past Events
Why do we look away from the suffering of others, cover our faces in shame, and lower our heads in grief? Benjamin Saltzman explores these gestures in art, poetry, and philosophy as an essential language for our uncomfortable engagements with the world.
Whiskerology: The Culture of Hair in Nineteenth-Century America
In Whiskerology, named a New Yorker Best Book of the Year, Sarah Gold McBride offers a surprising history of human hair in nineteenth-century America — where length, texture, color, and coiffure became powerful indicators of race, gender, and national belonging.
Andreja Novakovic offers the first philosophical study of Belgian filmmaker Chantal Akerman's deeply personal body of work.
Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy
Shiben Banerji explores the forgotten history of the occult foundations of the early 20th-century global city.
The Many Names of Anonymity: Portraitists of the Canton Trade
Examining how Western art history has misconstrued names and identities in Chinese art, Winnie Wong proposes new ways of studying anonymity, copying, and the emergence of author names in the long 18th century.
Movable Londons: Performance and the Modern City
Julia Fawcett looks to the Restoration theater to understand the emergence of London as a modern city after the Great Fire of 1666.
The Future of Revolution: Communist Prospects from the Paris Commune to the George Floyd Uprising
How might a 21st-century revolution against class society succeed? Jasper Bernes synthesizes from a history of failure the key criteria for success.
Artificial Humanities: A Fictional Perspective on Language in AI
Nina Beguš explores how literature, history, and art can deepen our understanding of artificial intelligence and guide us toward a more thoughtful future for AI.
In his exploration of plays named after objects, Mario Telò offers a new approach to the politics of familial and social relations in Roman comedy.
Concrete Encoded: Poetry, Design, and the Cybernetic Imaginary in Brazil
Nathaniel Wolfson shows how the concrete movement in art and poetry — which burst onto Brazil’s cultural stage in the 1950s, during a dizzying period of modernization — presciently grappled with an emerging information age.