Past Events

Janis Tomlinson, Art Historian

“From Capricho to Fatal Consequences: Goya's Imagery of War 1809-1814”
Forum on the Humanities & the Public World
| Geballe Room, 220 Stephens Hall

Best known for her work on eighteenth- and nineteenth-century painting in Spain, Janis Tomlinson is Director of University Museums at the University of Delaware.

| Geballe Room, 220 Stephens Hall

Join the Townsend Humanities Lab for a live celebration as its burgeoning digital community passes the 1,000-member mark. Champagne and music for all; demonstrations for the uninitiated. Catch one of the roving disposable cameras and help us commemorate the event.

| Maude Fife Room, 315 Wheeler Hall

Panel Discussants: Joyce Carol Oates, Dori Hale (English), Vikram Chandra (English), and Wendy Lesser (Editor, The Threepenny Review). Moderated by Anthony J. Cascardi (Townsend Center Director)

Joyce Carol Oates, Author

“The Writer’s (Secret) Life: Rejection, Woundedness, and Inspiration”
Avenali Lecture
| Sibley Auditorium, Bechtel Engineering Center

Author Joyce Carol Oates is a recipient of the National Book Award and the PEN/Malamud Award for Excellence in Short Fiction. She has written some of the most enduring fiction of our time, including the national bestsellers We Were the Mulvaneys and Blonde (a finalist for the National Book Award and the Pulitzer Prize), and the New York Times bestsellers The Falls and The Gravedigger's Daughter. Oates is the Roger S. Berlind Distinguished Professor of the Humanities at Princeton University and has been a member of the American Academy of Arts and Letters since 1978.

<em>The Garden</em> (2008)

Directed by Scott Hamilton Kennedy
Depth of Field Film + Video
| Geballe Room, 220 Stephens Hall

From the ashes of the L.A. riots in 1992 rose a community garden on a fourteen-acre plot of land in the neighborhood of South Central. After thriving for nearly a decade, the garden was jeopardized when the owner made plans to develop warehouse storage on the site. The Garden follows the group “South Central Farmers” as they work through the red tape and empty political promises of Los Angeles City Hall in an attempt to save the center of their community.

Why War?: "When Was War?"

Gopal Balakrishnan, History of Consciousness, UC Santa Cruz
| Geballe Room, 220 Stephens Hall

Gopal Balakrishnan is Associate Professor of the History of Consciousness at the University of California Santa Cruz. He was a Jean Monnet Fellow at the European University Institute (2000) and a Harper Schmidt Assistant Professor at the University of Chicago (2001-2005).

Geoffrey Harpham, Director, National Humanities Center

“How America Invented the Humanities”
Forum on the Humanities & the Public World
| Geballe Room, 220 Stephens Hall

Geoffrey Harpham, President and Director of the National Humanities Center, is a historian of and an advocate for the humanities. His scholarship also focuses on the role of ethics in literary study, the work of Joseph Conrad, and the place of language in intellectual history.

Ray Ryan, Senior Commissioning Editor, Cambridge University Press

“Publishing Academic Research in the Humanities”
| Geballe Room, 220 Stephens Hall

Ray Ryan is Senior Commissioning Editor of English and American Literature at Cambridge University Press. He is author of Ireland and Scotland: Literature and Culture, State and Nation, editor of Writing in the Irish Republic: Literature, Culture, Politics, 1949-1999, and co-editor of Ireland and Scotland: Culture and Society, 1700-2000 and The Good of the Novel.

Why War?: "Viewing War, Playing War: The Virtualization of Violence"

Abigail De Kosnik (TDPS, Center for New Media) and Greg Niemeyer (Art Practice, Film, Center for New Media)
| Geballe Room, 220 Stephens Hall

Abigail De Kosnik is Assistant Professor in the Berkeley Center for New Media (BCNM) and the Department of Theater, Dance, and Performance Studies. Greg Niemeyer is Associate Professor of Art Practice, Film, and the Center for New Media at Berkeley.

<em>The Beaches of Agnes</em> (2009)

Directed by Agnes Varda
Depth of Field Film + Video
| Geballe Room, 220 Stephens Hall

“If we opened people up, we’d find landscapes. If you opened me up, you’d find beaches.” So begins Agnes Varda’s engaging self portrait of a life lived in and around the cinema. Less an autobiography than a meditation on time, memory, and place, Varda’s film offers us a glimpse of the complex flow between life and images, forces that shift back and forth with the ceaseless energy of the sea itself.