Winnie Wong is an art historian with a special interest in fakes, forgeries, and counterfeits. Her work examines such issues as authorship, property, and likeness through interdisciplinary inquiry. She is the author of Van Gogh on Demand: China and the Readymade (2014) and co-editor of Learning from Shenzhen (2017). Her forthcoming book is The Many Names of Anonymity: Portraitists of the Canton Trade.