Berkeley Book Chats

The Townsend Center presents a lunchtime series celebrating the intellectual and artistic endeavors of the UC Berkeley faculty. Each Berkeley Book Chat features a faculty member engaged in conversation about a recently completed publication, performance, or recording. The series highlights the extraordinary breadth and depth of Berkeley’s academic community.

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| Geballe Room, 220 Stephens Hall

Examining how Western art history has misconstrued names and identities in Chinese art, Winnie Wong proposes new ways of studying anonymity, copying, and the emergence of author names in the long 18th century.

Chantal Akerman: Filmmaker and Philosopher

Andreja Novakovic
Berkeley Book Chats
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| Geballe Room, 220 Stephens Hall

Andreja Novakovic offers the first philosophical study of Belgian filmmaker Chantal Akerman's deeply personal body of work.

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| Geballe Room, 220 Stephens Hall

In Whiskerology, named a New Yorker Best Book of the Year, Sarah Gold McBride offers a surprising history of human hair in nineteenth-century America — where length, texture, color, and coiffure became powerful indicators of race, gender, and national belonging.

Turning Away: The Poetics of an Ancient Gesture

Benjamin Saltzman
Berkeley Book Chats
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| Geballe Room, 220 Stephens Hall

Why do we look away from the suffering of others, cover our faces in shame, and lower our heads in grief? Benjamin Saltzman explores these gestures in art, poetry, and philosophy as an essential language for our uncomfortable engagements with the world.

Past Events

On the Colors of Vowels: Thinking Through Synesthesia

Liesl Yamaguchi
Berkeley Book Chats
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| Geballe Room, 220 Stephens Hall

Exploring the ways in which visual conceptions of vowels have inflected the arts and sciences of modernity, Liesl Yamaguchi asks how discourses of the 19th and 20th centuries crafted the enigma we now readily recognize as “synesthesia.”

The Tomb of the Divers

Francine Masiello
Berkeley Book Chats
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| Geballe Room, 220 Stephens Hall

Francine Masiello's debut novel, written with pleasure and wit, weaves a multigenerational tale of small-time artists and crooks who, over the course of a century, wend their way from southern Italy to Paterson, New Jersey.

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| Geballe Room, 220 Stephens Hall

Through bold new analyses of legendary works of German silent cinema, Nicholas Baer reassesses Weimar cinema in light of the "crisis of historicism" widely diagnosed by German philosophers in the early twentieth century.

Reading Greek Tragedy with Judith Butler

Mario Telò in Conversation with Judith Butler
Berkeley Book Chats
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| Maude Fife Room, 315 Wheeler Hall

Considering Judith Butler's “tragic trilogy” — a set of interventions on Sophocles's Antigone, Euripides's Bacchae, and Aeschylus's EumenidesMario Telò seeks to understand how Butler uses and interprets Greek tragedy and, ultimately, how tragedy shapes Butler's thinking.

Apartheid Remains

Sharad Chari
Berkeley Book Chats
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| Geballe Room, 220 Stephens Hall

Sharad Chari explores how people handle the remains of segregation and apartheid in South Africa, as witnessed through portals in an industrial-residential landscape in the city of Durban.

Penultimates: The Now and the Not-Yet

Thomas Farber
Berkeley Book Chats
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| Geballe Room, 220 Stephens Hall

In his wry meditation on aging, Thomas Farber memorializes lost friends and takes the measure of our current moment.

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| Geballe Room, 220 Stephens Hall

Shannon Steen explores how discourses of creativity can seduce us into joining a worldview that justifies structural inequalities, environmental degradation, and other aspects of contemporary capitalism that we might otherwise find troubling.