Berkeley Book Chats

The Townsend Center presents a lunchtime series celebrating the intellectual and artistic endeavors of the UC Berkeley faculty. Each Berkeley Book Chat features a faculty member engaged in conversation about a recently completed publication, performance, or recording. The series highlights the extraordinary breadth and depth of Berkeley’s academic community.

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| 220 Stephens Hall

Hannah Zeavin tells the complicated story of American techno-parenting, for an object lesson in how using technology in our most intimate relationships became a moral flash point.

Highway Thirteen: Stories

Fiona McFarlane
Berkeley Book Chats
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| 220 Stephens Hall

Fiona McFarlane's gripping collection of short stories explores the reverberations of a serial killer’s crimes in the lives of everyday people.

Downtime: The Twentieth Century in Slow Motion

Mark Goble
Berkeley Book Chats
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| 220 Stephens Hall

Mark Goble explores how slow motion in film and literature reveals a deep cultural fascination with the uneven speeds of modern life and our ability to comprehend them.

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| 220 Stephens Hall

Nathaniel Wolfson shows how the concrete movement in art and poetry — which burst onto Brazil’s cultural stage in the 1950s, during a dizzying period of modernization — presciently grappled with an emerging information age.

Roman Comedy Against the Subject

Mario Telò
Berkeley Book Chats
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| 220 Stephens Hall

In his exploration of plays named after objects, Mario Telò offers a new approach to the politics of familial and social relations in Roman comedy.

Past Events

Penultimates: The Now and the Not-Yet

Thomas Farber
Berkeley Book Chats
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| 220 Stephens Hall

In his wry meditation on aging, Thomas Farber memorializes lost friends and takes the measure of our current moment.

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| 220 Stephens Hall

Shannon Steen explores how discourses of creativity can seduce us into joining a worldview that justifies structural inequalities, environmental degradation, and other aspects of contemporary capitalism that we might otherwise find troubling.

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| 220 Stephens Hall

Intervening in debates on historical memory, testimony, and the representation of violence, Michael Iarocci shows how Goya's masterpiece extends far beyond conventional understandings of visual testimony.

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| 220 Stephens Hall

Honoring the Frankfurt School's practice of immanent critique, Martin Jay puts critical pressure on a number of its own ideas by probing their contradictory impulses.

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| 220 Stephens Hall

In her exploration of media art and theory in Japan, Miryam Sas opens up media studies and affect theory to a deeper engagement with works and theorists outside Euro-America.

Aleksandr Rodchenko: Photography in the Time of Stalin

Aglaya Glebova
Berkeley Book Chats
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| 220 Stephens Hall

Through the lens of Aleksandr Rodchenko’s photography, Aglaya Glebova charts a new understanding of the troubled relationship between technology, modernism, and state power in Stalin’s Soviet Union.

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| 220 Stephens Hall

Kevis Goodman approaches late 18-century medicine, aesthetics, and poetics as overlapping forms of knowledge that probe the relationship between the geographical movements of persons displaced from home and the physiological “motions” within their bodies and minds.