Past Berkeley Book Chats

Fiona McFarlane's gripping collection of short stories explores the reverberations of a serial killer’s crimes in the lives of everyday people.

Hannah Zeavin tells the complicated story of American techno-parenting, for an object lesson in how using technology in our most intimate relationships became a moral flash point.

In this bold, wide-ranging study, Martin Jay examines the conflict between “conventional” and “magical” nominalism in philosophy, history, aesthetics, and photography.

Claire Kahane recounts her nine-decade journey of self-transformation, moving from free-spirited rebel in the 1950s to feminist scholar, and confronting personal and historical traumas along the way.

Todd Olson sheds new light on the complexity of Jusepe de Ribera’s artwork and artistic methods and their connections to the Spanish imperial project.

Exploring the ways in which visual conceptions of vowels have inflected the arts and sciences of modernity, Liesl Yamaguchi asks how discourses of the 19th and 20th centuries crafted the enigma we now readily recognize as “synesthesia.”

Francine Masiello's debut novel, written with pleasure and wit, weaves a multigenerational tale of small-time artists and crooks who, over the course of a century, wend their way from southern Italy to Paterson, New Jersey.

In this deeply poetic book, Fumi Okiji gathers a chorus of thinkers and artists to examine sites of intemperance and equivocation in black thought and music.

Through bold new analyses of legendary works of German silent cinema, Nicholas Baer reassesses Weimar cinema in light of the "crisis of historicism" widely diagnosed by German philosophers in the early twentieth century.

Considering Judith Butler's “tragic trilogy” — a set of interventions on Sophocles's Antigone, Euripides's Bacchae, and Aeschylus's Eumenides — Mario Telò seeks to understand how Butler uses and interprets Greek tragedy and, ultimately, how tragedy shapes Butler's thinking.