Professor of Scandinavian Linda Rugg’s new book explores how non-documentary narrative art films create new forms of collaborative self-representation and selfhood.
Professor of French Debarati Sanyal’s forthcoming book examines the ways in which literature and film from the French-speaking world have repeatedly sought not to singularize the Holocaust as the paradigm of historical trauma, but rather to connect its memory with other memories of atrocity.
Professor of History of Art Whitney Davis’ book presents a new and original framework for understanding visual culture.
Delving into Aesop, his adventures, and his crafting of fables, Professor of Classics and Comparative Literature Leslie Kurke’s Aesopic Conversations shows how this noncanonical figure was unexpectedly central to the construction of ancient Greek literature.
Created for the Maldives Pavilion at the 2013 Venice Biennale, “Polartide” turns the fluctuating data sets of sea levels and oil company stock valuations into digitized tones, inviting participants to reflect on the growing threat of global climate change in a new way. Join us for an interactive performance of “Polartide” at the Sather Tower carillon, followed by discussion in the Geballe Room.
Professor of Music Nicholas Mathew’s recent book explores Beethoven's music as an active participant in political life from the Napoleonic Wars to the present day.
Professor of Slavic Language and Literatures David Frick’s recent book details how Poles, Lithuanians, Germans, Ruthenians, Jews, and Tatars navigated and negotiated cultural and religious differences in mid-seventeenth century Wilno.